Friday, 30 October 2009

Guessmen - Hobo Disco EP

Newcastle based trio make their mark with a ramshakle blend of electro blues and fuzzy junk yard funk that comes on like John Cale meets Captain Beefheart with Joe Meek on the mix.
At just under eleven and a half minutes long this four-track release covers an area of musical no man’s land with both abandon and reflection in equal amounts. Where Guessmen’s musical soundclash instantly aurally succeeds while others flounder through musical patchworks is the fact that the messy bang and stutter sounds so animated and exciting. 

There’s real skill and attention to detail in making the constantly scattering particles of “Average Fish”s glitchy stomping analogueness sound like the anthem of the most coherent drunk man to ever threaten a yard of ale. With more than enough remarkable debris in the background to thoroughly mangle a less solid tune there’s a coherent electronic junkyard aesthetic to much of the band’s repertoire that’s occasionally softened by more conventional but refreshing instrumentation like the clarinet. 

Even though they ably prove that they bang like the highest heeled unshaven Warp signed glam band ever they’re wise enough to also advertise their more thoughtful side. The sequencing of the melancholic alcohol tinged regret-filled closer “Human Being Kind” brings the band a more mature perspective leaving the EP with the tinkling of the milkman’s delivery on the ‘morning after’. Its softer electronic musical droplets (tears?) and rain on grass FX give a sensible flipside to the megaphone barked freak show tales and after “Troglodyte”s asthmatic skank has battered the brain with its tree trunk arms it’s a welcome relief.
Guessmen - Hobo Disco EP

1. Average Fish
2. Don't Know Where It Is
3. Troglodyte
4. Human Being Kind

buy the astounding ''back from the bins'' album direct from their website

myspace

Thursday, 29 October 2009

Lee Perry - The Complete UK Upsetter Singles.Volume One

The Complete UK Upsetter Singles series is a fantasic collection of all of the 7" singles that were relased on the Upsetter UK label between 1969 and 1973. In 1969, Scratch was responsible for some of the tightest and grooviest reggae being made in Jamaica, and the excellent Volume One contains 50 examples of that early Upsetter sound. While this music represents Scratch's production at its most commercial, there are a few upsetting moments, such as the berserk "Mad House" and the bizarre "Tackro". From start to finish, this is wonderful, straight up first wave reggae at its best.
Lee Perry - The Complete UK Upsetter Singles.Volume One
Disc 1 : Disc 2
01. Eight For Eight - Lee Perry & The Upsetters
02. You Know What I Mean - The Inspirations
03. Return Of Django - The Upsetters
04. Dollar In The Teeth - The Upsetters
05. Good Father - David Isaacs
06. What A Situation - Slim Smith
07. Ten To Twelve - The Upsetters
08. People Funny Fe True - Lee Perry
09. What A Price - Busty Brown
10. How Can I Forget - Busty Brown
11. I've Got Memories - David Isaacs
12. Leaving On A Jet Plane - David Isaacs
13. Mini Dress - Winston Jarrett
14. Mad House - Lee Perry
15. Night Doctor - The Upsetters
16. I'll Be Waiting - The Termites
17. To Love Somebody - Busty Brown
18. Farmer's In The Den - The Bleechers
19. Kiddy-O - The Silvertones
20. Endlessly - The Silvertones
21. Man From MI5 - The Upsetters
22. Oh Lord - The West Indians
23. He'll Have To Go - David Isaacs
24. Since You Are Gone - David Isaacs
25. Medical Operation - The Upsetters

01. Badam Bam - The Ravers
02. Live Injection - The Upsetters
03. Everything For Your Fun - The Bleechers
04. Come Into My Parlour - The Bleechers
05. Dry Up Your Tears - The Mellotones
06. Cold Sweat - The Upsetters
07. Pound Get A Blow - The Bleechers
08. Hello Dolly - Pat Satchmo
09. King Of The Trombone - Busty Brown
10. The Vampire - The Upsetters
11. Check Him Out - The Bleechers
12. Soulful I - The Upsetters
13. No Bread And Butter - Milton Morris
14. Who To Tell - Bruce Bennett
15. I Can't See Myself Cry About You - Busty Brown
16. The Dirty Dozen - The Shadows
17. Crying Too Long - The Shadows
18. Stranger On The Shore - Val Bennett
19. Drugs And Poison - The Upsetters
20. The Same Thing That You Gave To Daddy - Nora Dean
21. A Testimony - The Upsetter Pilgrims
22. The Same Things - The Gaylads
23. I Wear My Slanders - The Gaylads
24. Yakety Yak - Lee Perry
25. The Tackro - The Upsetters

Tuesday, 27 October 2009

Gong Pre-Modern Wireless: The Peel Sessions 1971-1974

slip into the night here

1. Magick Brother
2. Clarence In Wonderland
3. Tropical Fish
4. Selene
5. You Can't Kill Me
6. Radio Gnome Direct Broadcast
7. Crystal Machine
8. Zero The Hero And The Orgasm Witch
9. Captain Capricorns Dream Saloon
10. Radio Gnome Invisible
11. Oily Way

it's beautiful out there

Allen Ginsberg - Holy Soul Jelly Roll: Poems and Songs 1949-1993

The name Allen Ginsberg conjures up memories of a young beat poet who, along with Jack Kerouac and William S. Burroughs, began a fledgling movement in the late 1940s and early '50s that to this day remains relevant to literature, music, and counterculture. The fact is Allen Ginsberg is an outspoken dissident who helped shape our consciousness in the 1960s, whose "Howl" and "Kaddish" embody both the outspoken and tender sides of the Ginsberg persona. As a pacifist and gay rights activist, he has influenced our culture for five decades.
Allen Ginsberg grew up in the meat of century. Fresh between newly rusting New Jersey heartlands caught between parents mild and crazed, starved to express love not yet defined as anything but perversion. He learned the tissues of reality from Naomi, his mother. Her paranoid hallucinations informed him with a truth he kept in check until he could transform it through the poetic processes bequeathed to him by his father, the poet Louis Ginsberg. Paranoia becomes Justice, Desire becomes Force, Perversion becomes Spirit. The poetry of Allen Ginsberg will last the ages, for it teaches us our minds, it bumps into us and stirs the muck around the brain stem. His inability to compromise with language, politics, or truth has created a giant body of work with remarkable consistency.
Disc: 1
Moloch!
1. Walking at Night in Key West [#]
2. Mad Gleam [#]
3. Green Automobile [#]
4. Supermarket in California [#]
5. Howl (For Carl Solomon) [#]
6. Footnote to Howl [#]
7. America [#]
8. Sunflower Sutra [#]
9. Green Valentine Blues [#]
10. Death to Van Gogh's Ear
Disc: 2
Caw! Caw!
1. Kaddish (For Naomi Ginsberg 1894-1956)
2. To Aunt Rose
3. Kral Majales (King of May)
4. Guru
Disc: 3
Ah!
1. Wales Visitation [#]
2. End
3. I Am a Victim of Telephone
4. Echoing Green
5. Lamb
6. (A) Little Boy Lost (B) Little Boy Found
7. Laughing Song
8. Sick Rose
9. Nurse's Song (Experience)
10. City Midnight Junk Strains (For Frank O'Hara)
11. Cradle Song [#]
12. Infant Joy [#]
13. Fly [#]
14. Voice of the Bard [#]
15. School Boy [#]
16. Dream [#]
17. Who Be Kind To
18. First Party at Ken Kesey's With Hell's Angels
19. Pacific High Studio Mantras (Om Ah Hum Vajra Guru Padma Siddhi Hum) [#]
20. Wichita Vortex Sutra, Pt. 3 [#]
21. Nurse's Song (Innocence)
22. Pull My Daisy [#]
Disc: 4
Ashes & Blues
1. Capitol Air [#] - The Clash, Allen Ginsberg
2. Written in My Dreams by W.C. Williams [#]
3. CIA Dope Calypso
4. Vomit Express [Alternate Mix][#]
5. Please Master
6. Little Fish Devours the Big Fish [#]
7. Prayer Blues [#]
8. Birdbrain
9. Gospel Noble Truths
10. Hum Bom! [#]
11. Airplane Blues [#]
12. On Neal's Ashes [#]
13. September on Jessore Road [#]
14. Father Death Blues
15. Do the Meditation Rock [#]
16. After Lalon [#]

sleeve notes and more here

The Astronauts - Peter Pan Hits the Suburbs. CD

The following review of 'Peter Pan Hits the Suburbs' is from unsung heroes - Julian Cope presents Head Heritage .

''Ah, The Astronauts. Key their name into a search engine and you'll see the term "semi-legendary" at least a dozen times. A dubious honorarium to be sure, but one whose "Semi-" prefix is only wedged in place due to the long-term scarcity of their (surprisingly large) catalog of music, not to mention the zonked headspace most of the folks who saw them in their heyday existed within being fairly prohibitive of accurate recollection.
For the Astronauts were (and are, after close to 30 years and a history of lineup shifts only bested by The Fall) THE definitive Psych-punk ensemble, though even that title doesn't do 'em justice. Their sound culminates the post '77 punk dabblings of Head forbears Twink (his "Do It 77" single and The Rings' "I Wanna Be Free" platter), Nik Turner (the outstanding Inner City Unit and the "punkier" late 70's bits of Hawkwind) and Daevid Allen's Planet Gong (with fellow Acid-punkers Here and Now) all woven in with an earlier Robert Wyatt/Mellow Candle-y psych folk vibe...While not sounding like any of those things at all. Get it? I sure as hell don't, even after listening to their records till the grooves were stripped clean through and only the finest Damascus steel tweezers had to be employed to unfurl the remaining Millimeter-thick strip of wax from my monumentally confounded turntable.
Okay, a bit of history... I became aware of The Astronauts through this, their first full length lp (they had three ep's under their belt before its recording) which my close friend Steve had purloined a copy of back in the days (about nine years ago) when you still actually had to order strange music from far-flung locales like Frankfurt, which, for a wart-faced teenage pothead from New Jersey is pretty fuckin' far-flung, I assure you.
Being the hardline "chugga-chugga" punk purist that I was at the time (I.E. an asshole) I was a bit reticent to spin the album with the wispy pencil-drawing cover, but was placated a bit when told that "They used ta play with CRASS". Well, ok then, pass the bubbler and press play.
She opens with "Everything Stops For Baby" which quenched my thirst for that familiar U.K. first-wave Anarcho sound (like being wrapped in ones favorite anti-nuke patch emblazoned comforter) and loosened up for the remainder of the album. Then, BANG. Curveball. "Protest song" unfurls with the sound of Walt Whitman and the fury of Sinclair Lewis (not to be confused with "The Sound and the Fury" BY William Faulkner), except, err, more British...(?)
It was at about this point that I remarked that their sound was like Jello Biafra singing for Pink Floyd, which I still use to describe them to the uninitiated from time to time.
BANG! "Sod Us", a rallying call set to a lilting carnival organ, riding victorian carousel horses over the barricades, curveball #2.
And then it hits. Everyone has at least one magical song that the mere opening notes of inexplicably shoots a jolt up their spine and makes them fell as if they are about to jump out of their skin and dance completely beside themself. Its like the sensation one gets when one sneezes while urinating, but stretched out to two and a half minutes. "The Traveler", for me, is that song.
If, as I previously stated, The Astronauts are the culmination of the "Acid/Hippy Punk" aesthetic, then "The Traveler" is the culmination of that sound. Loud guitars, a perfectly weedy synth bit, elliptical lyrics...Speaking of which, it was at this point another curious thing happened. Steve and I actually began discussing the lyrics, which is something ya just don't do with most classic U.K. punk lyrics. I mean, they're generally direct, clipped (sometimes to the point of retardation, ahem, D-Beat) shouted polemics. No Q and A session with Tea and scones necessary. Mark Astronaut changed all that for me with lines like:
"And sometimes I feel I really don't care
Then I'm just a dreamer, just pretends to be aware
Say you've got a lot of problems to share
Well there's apathy behind my sympathetic stare"

Not cocksure sloganeering, but genuine admissions of guilt and doubt, and sometimes, -GASP- optimism.
I'd continue to describe the rest of "Peter Pan" track by track, but chances are, if you aren't familiar with it, its best to open it up for yourself and work at its riddles and find your own solutions, which are countless. Let it charm the hell out of you while it picks your pocket and afterward donates the money to the Hunt Sabs, then shuffles back to the squat it shares with lps by the Apostles and the Mob to sleep hungry yet content that it did its part that day to thoroughly warp the mind of another unsuspecting young straight.

"Going to be a happy little person in the new world
his face is of a warrior you can see it in his cot
so darling you go out and try & start the revolution
me I'll just stay back here look after what we've got

His life ain't gonna be a two up two down in Fulham
gotta change things quickly cause our minds are on the skids
so all you fellow rebels you go out and fuck the system
sorry I can't be with you but I've gotta mind the kids."
("Everything Stops for Baby")

Matter of fact, pick up any of their records, they're all just as good. The official cd re-releases from the mid 90's (which are now also scarce) contain the a-sides from the first three eps as well as other non-lp tracks and demos (the b-sides can be found on the half lp/half "odds and sods" record "Soon", which is you guessed it, tough to find).

The Astronauts-Peter Pan hits the Suburbs


Everything Stops For Baby

Protest Song

Sod Us

The Traveller

How Green Was My Valley

Still Talking

Baby Sings Folk Songs

How Long Is A Piece Of String

Amplified World

Midsummer Lullaby

Everything Stops For Baby (Short Version)

Back Soon
other albums i found elsewhere
in defense of compassion here
soon here
seedy side of .... here
folk in hell cassette here
fuck off wreckords gig here
live/east coker,yeovil (1984) here
live/the crypt,st.albans (1985) here
check out the official website for leads: http://www.astronauts.org.uk/
as well as their Myspace page/the astronauts



Also, check out the Otters:Mark's also in this excellent band myspace/the otters