Tuesday, 26 May 2009

V/ A - Feel the Spirit: Other Worldly Folk Gems & Psychedelics

This compilation of acid folk songs is culled from mostly obscure albums recorded between 1968-1971, just after the death of hippy when the longhairs turned to freaky mysticism for solace as the flower power dream became tinged with the stuff of nightmare.
And what a far out collection of beautiful weirdness, edgy themes and lyrics, the Bonnie Dobson song is a pure piece of acid folk...until you listen more closely to the lyrics ! Christine Harwood's take on the Stills classic is weirdly wonderful with a Donovan sample at the end that just adds a spooky frisson. An achingly beautiful Chimacum Rain byLinda Perhacs and the sublime Sandy Denny singing Autopsy with the Fairports are just a few of the stand outs.


Feel The Spirit - Heaven & Earth
Mr Man - Air
Magician In The Mountain - Sunforest
Free Wheel - Hard Meat
Autopsy - Fairport Convention
Get Thy Bearings - Donovan
Wooden Ships - Christine Harwood
For You - Barbara and Ernie
Winters Going - Bonnie Dobson
Ebony Glass - Nancy Priddy
Rose Hip November - Vashti Bunyan
Chimacum Rain - Linda Perhacs
Along Came Sam - Spleen
An Elegy - Free Design
End of the World - Kathy Smith

V/A - End of the Road. cd1(2007) cd2(2008)

It can’t be that hard, can it? Find a field, book some bands, keep everything low-scale and independent, and hope it stays warm enough to relax in the sun drinking quality cider in your shirt and sandals. At least, that’s possibly what Sophia and Simon, the organisers behind the very first End of the Road Festival, had running through their minds a few summers ago. Inspired by their experience at the Green Man Festival, they decided to stage their very own event deep in the heart of the English countryside, picking the best bits from the likes of Green Man and Endorse it whilst also creating a unique and inviting atmosphere all of its own.

And deep within the beautiful tranquillity of Larmer Tree Gardens, near Ludwell in Dorset, the End of The Road Festival was born. Quintessentially English in feel and intimately grassroots in production - and with quirky features such as the working piano in a secluded part of the gardens, squawking parrots and peacocks darting about and precisely no advertising boards or sponsors’ placards situated around the site - it was a positively fresh, almost horizontal experience from the very start. And then, of course, you have the music. Boasting a plethora of underground talent as well as rising names.

V/A - End of the Road. (2007)


V/A - End of the Road. (2008)

klik on covers for track listings

end of the road festival 2009
myspace

Monday, 11 May 2009

V/A - Jackpot Of Hits/Explosive Rocksteady

In 1968 Joe Gibbs issued "Rocksteady Explosion", an album featuring a mixture of old hits and contemporary work. Early the following year Trojan released a second compilation of Joe Gibbs' work, "Jackpot Of Hits" featuring some of the producer's best know work to date. These two albums can be found on this compilation,plus a few bonus tracks. Check out these early works of young Joe Gibbs, with the help of the versatile Lynn Tait & The Jets, in those days his household backing band. Every track on this album is a gem, from the time that Junior Byles fronted The Versatiles, Winston Francis led the Mellotones and Errol Dunkley was still in his teens. You can't miss out on this one !

. I'm Movin' On - Pioneers
2. Miss Tourist - Pioneers
3. Just Like A River - Cole, Stranger & Gladstone Anderson
4. Uncle Sam's Country - Walks, Dennis
5. Long Shot Kick De Bucket - Pioneers
6. Train To Soulsville - Cool Sticky
7. Love Love Everyday - Pioneers
8. Hold Them - Shirley, Roy
9. Come Brothers - Malcolm, Hugh
10. Give Me A Little Loving - Pioneers
11. Push It In - Versatiles
12. Love Brother Love - Dunkley, Errol
13. Jackpot - Pioneers
14. Feel Good - Mellotones
15. No Dope Me Pony - Pioneers
16. Secret Weapon - Collins, Ansel
17. El Casino Royale - Taitt, Lynn & The Jets
18. What Moma No Want She Gets - Cole, Stranger
19. Catch The Beat - Pioneers
20. Good Time Rock - Malcolm, Hugh
21. Hurry Come Up - Crashers
22. Just Can't Win - Versatiles
23. Seeing Is Knowing - Cole, Stranger & Gladstone Anderson
24. Holding Out - Creations

dancecrasher

pressure sounds

and loads more rocksteady here> you & me on a jamboree

Last Poets With Bernard Purdie - Delights Of The Garden

The Last Poets is a group of poets and musicians who arose from the late 1960s African American civil rights movement’s black nationalist thread. Their name is taken from a poem by the South African revolutionary poet Keorapetse Kgositsile, who believed he was in the last era of poetry before guns would take over.
The original Last Poets formed on May 19, 1968 (Malcolm X’s birthday), at Marcus Garvey Park (formerly Mount Morris Park, at 124th Street and Fifth Avenue) in the East Harlem neighborhood of New York City. The original members were Felipe Luciano, Gylan Kain, and David Nelson.
The group continued to evolve via a 1969 Harlem writers’ workshop known as “East Wind.” Jalal Mansur Nuriddin, Umar Bin Hassan, and Abiodun Oyewole, along with percussionist Nilaja, are generally considered the primary and core members of the group, as they appeared on the group’s 1970 self-titled debut.
Delights Of The Garden is probably the funkiest record the Last Poets ever cut,with lots of heavy bass and drums, and a harder soul groove than on some of their other records. The lyrics take off from the style of the Blue Thumb records, and the drumming of Bernard Purdie provides a good foil for the group's jazzy rhymes, jumping around a lot to keep up with their changes and grooves. The overall politics probably aren't nearly as heavy or angry as the early days, but the record does have some nice moments. Titles include "Blessed Are Those Who Struggle", "It's a Trip", "The Pill", and "Beyonder"

Last Poets With Bernard Purdie - Delights Of The Garden

1. It's A Trip
2. Ho Chi Minh
3. Blessed Are Those Who Struggle
4. Pill
5. Delights Of The Garden
6. Beyonder

Recorded at Media Sound Studios n.y.c. & Sound Ideas Studio n.y.c.

Produced by Alan Douglas & The Last Poets

Mastering: Joe Gastuirt, Masterdisk Studios n.y.c.

Cover Art: Abrahim Ben Benu

Poets: Jalaluddin Mansur Nuriddin, Sulieman El-Hadi

Musicians:

Bass & Guitar: Mann

Bass: Alex Blake

Drums: Bernard Purdie

Conga: Aby Mustapha

Percussion: Jalaluddin Mansur Nuriddin, Sulieman El-Hadi, Abu Mustapha

Sunday, 10 May 2009

V/A - Deutscher Funk

An excellent selection of music which should certainly help dispel the widely held myth that electronic music from Germany is produced by robots.

The Pluramon mix of The Bionaut's Wild Horse Annie is an early indicator of things to come, and it's downright groovy. There's still an emphasis on electro-acoustic bass sounds though, which for some reason remains an important ingredient in much that German underground electronic music has to offer.

Inflatable Rasta Wig works its magic with the use of tight rythmic pulses, freeform percussion patterns and a strangely disturbing weird muffled sound of some kind. It starts off sounding like a dub track but soon changes into something less definable.

As the album progresses you can expect to hear the unexpected. A sampler of the best that Germany has to offer, and when Spring Fridge rolls around you'll realise what a treat this compilation really is. Everything you could ever want to hear.

For those of you who like the robotic sounding stuff, as I do, there's a track just for you. It's called Roll Over Ehrenfield and has all the elements that really helped put Germany on the electronic music map. A nice element is the way the TR808 style drum sounds are soon replaced by more traditional ones, but the sequenced feel remains as the percussive repeating riff holds it all together. I just love the way it deassembles itself.V/A - Deutscher Funk

. Eskapade - Workshop
2. Wild Horse Annie [Pluramon Mix] - The Bionaut
3. Yakumo Dippel [#] - Beige
4. Inflatable Rasta Wig - Mono
5. Spring Fridge - General Magic & Pita
6. Syth [#] - Pluramon
7. Roll over Ehrenfeld [#] - Nonplace Urban Field
8. Berlin [#] - Pole
9. Bomb Schiller [#] - Beige
10. Dirtum - F.X. Randomiz
11. Harq Al-Ada - Kobat
12. Der Kleine Rote Racher - Mao II
13. Chromantic - Mouse on Mars

Thursday, 7 May 2009

Keith Haring in Pisa

Keith Haring here

digidub - 16 Millionths of an Inch / the golems of digidub

The late 1990s saw the world of dub-style music mutating and dividing, with the emphasis on computerized, digitally-based music. Dubs and overdubs moved from the studio crew splicing tapes in the early hours of the morning to the ‘cut and paste’ technique made possible by the new technology. Although some pursue the art in its original form the majority of artists and producers out there put their faith in Cubase and similar editing tools.Changes in the nature of the UK's live music scene, and selective media coverage, meant that only a few of the midi-circus crew have received the recognition they deserve. One of that deserving bunch is Lee Digidub, for me one of the true innovators of the digital dub sound since the release of their seminal ''south east of the river thames'' lp in the early 90s

Lee’s outfit, ‘Digidub’, with its heart and roots in the UK underground music and party scene, is a prime example of the genre. I got to know Lee Digidub when we began promoting alternative music in the mid 1990s at Ohm Soundsystem’s live gigs and shows. Lee and his cyberdub mutants were a regular feature of the - then infant - Ohm Sounds with whom I began DJing. Several years along we are all still at it, keeping the faith and the B-line booming wondrous world of Digidub.

digidub - 16 Millionths of an Inch

1. Nepturanous
2. Midight Dub - Mashed Potatoes
3. Rice
4. Bankman
5. Nepturanous 200893
6. Dub Cowboys
7. Madness [Mountains of]
8. Basic
9. Nepturanous 241093
10. Routemaster
'the golems of digidub' review by FREQ

The first and best label and/or artists to tackle the melding of Techno and Dub with the right degree of integration and innovation, Digi-Dub are here remixed by the collective's friends and admirers in appropriate late-Nineties style. As is to be expected, the meeting of eclectic sources on the basis of Reggae and House derived forms that Digi Dub specialized in lends itself particularly to Trance interpretation, but with a twist - or more to the point, as many twists and turns as is possible.
Not many straightforward floorfillers then, but a selection of pulsing, spluttering Concrét-flavoured dubs on the sources - remember this is the label whose L.S. Diezel and Launch DAT used a Routemaster bus engine as the source for one memorable track of the same name. Mashed's "5 Bars" gets a hallucinatory makeover by American DJ S.P.A.Z., while "Mystry" is up for a low-key Electronica molding by N(onplace).U(rban).F(ield). & Egon Zo. There do seem to be perennial Digi Dub favorites among the remixes - "Mystry" also appears in a knee-pumping Trance exploration by Styward, which features a very nice melodica line. Likewise, the two versions of "Beware Of Your Enemies" take Levi Roots' heartfelt old-school chant and process the track into the Dub & Bass Mudskipper mix and Sound-Proof's more militantly stepping neo-Rockers version, which dubs out half way into a warm bath of bass, echo and dropped vocal fragments.''Donkey Rider" appears twice too, with Hedonastik emphasizing the low-end possibilities in intricate Digital Roots style with an energizing, Trance - analogue motif, while The Resonator's more interested in the Electro-Ragga possibilities. "Conquering Lion" is taken by The Moody Boyz through some unreasonable Ska whistlingDancehall hoops, while Dodo turns "Zin Zo" into a relaxed, reverberating shimmer, and the 12" guitar cut of purple boy by Shimmon + Woolfson is present too. It's this song and the highly energetic clatter of Marc Em's remodeled "Nepturanus" which really mark the tempo up a few notches, both paying considerable attention to structure and breadth of focus, shifting form on the basis of the source material as all good Golems should. As remix albums go, this one adds further permutations to the gloriously convoluted multiple identities which characterize this most plastic and fluid of labels.digidub- the golems of digidub

01 L.S. Diezel + Launch DAT - Mystery remixed by N.U.F. & Egon Zo

02 L.S. Diezel + Launch DAT - Mystery remixed by Styward

03 Mashed feat. Levi Roots - Beware Of Your Enemies remixed by MudSkipper

04 Mashed - 5 Bars remixed by S.P.A.Z.

05 Mashed - Conquering Lion remixed by the Moody Boyz

06 Mashed - Zin Zo remixed by Dodo

07 Nepturanus remixed by Marc Em

08 Smart Alec + Trevor Cloggs - Purple Boyz remixed by Shimmon + Woolfson

09 Mashed feat. Levi Roots - Beware Of Your Enemies remixed by SoundProof

10 R.I.P. - Donkey Rider remixed by Hedonastik

11 R.I.P. - Donkey Rider remixed by the Resonator

MYSPACE
most of the above crack i ripped straight from Free Radical Sounds meets Lee Digidub, read the interview here

digidub records

Scrap Project